Suggested wine pairing: any polish vodka with grape jelly, fruit-on-the-bottom style.
The Great One is drawn a little weird here, but I promise he gets drawn differently later. Still weird, though.
Suggested wine pairing: any polish vodka with grape jelly, fruit-on-the-bottom style.
The Great One is drawn a little weird here, but I promise he gets drawn differently later. Still weird, though.
©2008-2024 Chris Combs Powered by WordPress with ComicPress
I’m trying without much success to envision how one would draw a hot dog with a face and stick-figure arms and legs and have it NOT look at least a little weird.
The way panel 6 rhymes in rebus is fantastic.
I think we all knew heaven was sassages all along
oh and I was going to make an ‘impeccary’ joke but nevermind
Xin: I feel like I drew him perfectly exactly once, but I don’t know where it is and it almost certainly never happened.
Cold: Sausage is sublime, but to Germans, it’s the Wurst.
…Is this thing on?
On the subject of the great one, it occurs to me that Mountain Time is pretty much the only piece of media I know of that has the trope of ‘early installment weirdness’, but instead of moving away from that, intentionally embraces and canonizes it to the point where (for example) a unicorn bartender dropping out of the sky complete with a bar to stop a guy who can inflict mystical and bizarre ailments by saying the name of a soup emphatically from hypnotizing and chopping up sapient ninja onions, and then casually reminding him that unicorns are immune to his power, doesn’t even seem all that strange by the time you get to that in the story.
Huh. I hadn’t thought of it that way. I just think the fun comes from throwing things at the wall to create a universe, and then figuring out what the hell you can do with it.
I can 100% respect making up a bizarre setting and then working with what there is to tell a story, too, yeah.
I like the way you first put it better than how I did, though. Makes it sound more interesting.